Rachel Enright Murphy

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	<title>Rachel Enright Murphy</title>
	<link>https://rachelcharismurphy.cargo.site</link>
	<description>Rachel Enright Murphy</description>
	<pubDate>Tue, 29 Sep 2026 15:05:29 +0000</pubDate>
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		<pubDate>Wed, 23 Sep 2026 14:55:32 +0000</pubDate>

		<dc:creator>Rachel Enright Murphy</dc:creator>

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	Rachel Enright Murphy
Info&#38;nbsp;
Contact&#60;img width="2521" height="1305" width_o="2521" height_o="1305" data-src="https://freight.cargo.site/t/original/i/137cad20c6a2269397523121d05260567773662e103c827e5b2e883d82b9d99a/Screenshot-2026-09-28-at-00.42.20.jpg" data-mid="252727650" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/137cad20c6a2269397523121d05260567773662e103c827e5b2e883d82b9d99a/Screenshot-2026-09-28-at-00.42.20.jpg" /&#62;Current/Upcoming
No Obligation (Sept. 9th - 13th 2026) - Temple Bar Gallery + Studios

Residential Award (2026/27) - Firestation Artist StudiosRecent Graduate Resident (2025/26)-&#38;nbsp;Temple Bar Gallery + Studios
Works
&#38;nbsp;
Clerical Error (2025)
Over the 6th, Any second now (2023)
Half a second before it was said 
(2023)
V Shape, M Shape (2022)


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		<title>NoObligation</title>
				
		<link>https://rachelcharismurphy.cargo.site/NoObligation</link>

		<pubDate>Tue, 29 Sep 2026 15:05:29 +0000</pubDate>

		<dc:creator>Rachel Enright Murphy</dc:creator>

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No Obligation
&#38;nbsp;Temple Bar Gallery + Studios (Studio 16)
 Dublin Fringe Festival 2026.&#38;nbsp;No Obligation is an experimental live reading of a contract for an intimate script. Two actors perform their contractual obligations as they are read aloud by the artist. Developed with an intimacy coordinator and a legal-creative consultant; the piece moves between sterility and playfulness, exploring how staged intimacy becomes productive labour.
Lead Artist and performer&#124; Rachel Enright MurphyPerformers &#124; Cian Malin and Molly Murphy HazzardSound Design &#124; Dan Montague O’BrienCostume &#124; Lucy Folan KennedyIntimacy Director &#124; Sinead Cassidy HoltCreative-legal Consultant &#124; Julie MorrissyArtist Mentorship &#124; Bea McMahonProducer &#124; Sinéad Gallagher
Still Photography &#124; Jilly McGrath. Documentation featured is by Pippa Moloney. Further documentation upon request.


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		<title>Clerical Error</title>
				
		<link>https://rachelcharismurphy.cargo.site/Clerical-Error</link>

		<pubDate>Wed, 26 Feb 2025 12:05:28 +0000</pubDate>

		<dc:creator>Rachel Enright Murphy</dc:creator>

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		<description>Clerical Error (2025)&#38;nbsp;
&#60;img width="2568" height="1685" width_o="2568" height_o="1685" data-src="https://freight.cargo.site/t/original/i/d94b33a63067b2ae68ec126607ff2fe23f804f14bee4aef0d5b448785e6464b0/Screenshot-2025-05-13-at-16.03.52.png" data-mid="233148202" border="0" data-scale="46" src="https://freight.cargo.site/w/1000/i/d94b33a63067b2ae68ec126607ff2fe23f804f14bee4aef0d5b448785e6464b0/Screenshot-2025-05-13-at-16.03.52.png" /&#62;

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 From top to bottom, left to right:

1. Still of The Heckler (2025); 11’ 
2. Install view&#38;nbsp;left to right Over the 6th, Any Second Now (2023) and The word turquoise (2025).3.The word turquoise(2025);&#38;nbsp;Framed and mounted digital print on fabriano (600 x 800)


Photography by Silvina Sisterna


Exhibition Text: 


Clerical Error offers scenarios of altered perception using video, sound, printed text and sculptural elements. It draws from widely varied sources: catholic mysticism, operatic technique, horse racing commentary and the writing of Maggie Nelson. Textual error is a throughline of the work, allowing it to revel in its own misinterpretation, vagueness, and speculative qualities. Drawing from a quote from Nelson’s memior Bluets where she says:&#38;nbsp;
&#38;nbsp; &#38;nbsp; 


“I will not choose between the blue things of the world and the words that say them: you might as well be heating up the poker and readying your eyes for the altar. Your loss”.
 

 In Clerical error interpretation is constantly at odds with experience itself: many of the works speculate on forms of illiteracy and draw attention to the physicality of written and verbal communication. Maggie Nelson describes a rare form of colour blindness, known as acyanoblepsia, in which blue can not be perceived. A potential cure for it is Sildenafil, the active ingredient in Viagra, which increases blood flow to photoreceptors in the eyes. As a side effect, users see a more vibrant blue tint, The Word Turquoise (2025) reimagines this side effect as it’s original intended use. 
Many of the pieces intend to be misread: in Over the Sixth, Any Second Now: an announcer describes the perpetually occurring event of the racehorse Any Second Now’s grand national run.&#38;nbsp; 
The Heckler also features misreading. It reimagines the trial of fifteenth-century Abbess and mystic Benedeta Carlini, who claimed she was possessed by a male angel in order to pursue a sexual relationship with another nun. The lack of conceptual schema surrounding female homosexuality in Renaissance Italy meant that the written evidence was linguistically distorted, both in its vocabulary and in the handwriting itself. The piece recounts this event in a theatrical monologue, switching between written and recorded text which is constantly being interrupted. Using incoherent audio, textual error, and nonverbal speech, the piece suggests a queer female experience outside of contemporary language.&#38;nbsp;This exhibition was supportend by The Arts Council and Dun Laoghaire Rathdown County Council.

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		<title>Over the 6th, Any Second Now</title>
				
		<link>https://rachelcharismurphy.cargo.site/Over-the-6th-Any-Second-Now</link>

		<pubDate>Tue, 28 Mar 2023 15:32:01 +0000</pubDate>

		<dc:creator>Rachel Enright Murphy</dc:creator>

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Over the 6th,&#38;nbsp; Any Second Now (2023) 


	&#38;nbsp;
&#60;img width="1066" height="1599" width_o="1066" height_o="1599" data-src="https://freight.cargo.site/t/original/i/55e8211a6b2474fa41f0dbe87b9204710d141eb02f9c860b30fa0fa0b28c9914/WhatsApp-Image-2025-02-22-at-13.05.57-1.jpg" data-mid="227348252" border="0"  src="https://freight.cargo.site/w/1000/i/55e8211a6b2474fa41f0dbe87b9204710d141eb02f9c860b30fa0fa0b28c9914/WhatsApp-Image-2025-02-22-at-13.05.57-1.jpg" /&#62;
	

( 3’’ audio loop, installed speaker)

Any second now works against time.&#38;nbsp;
audio link


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		<title>Half a second before it was said</title>
				
		<link>https://rachelcharismurphy.cargo.site/Half-a-second-before-it-was-said</link>

		<pubDate>Tue, 28 Mar 2023 15:31:59 +0000</pubDate>

		<dc:creator>Rachel Enright Murphy</dc:creator>

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Half a second before it was said (2023)&#38;nbsp; -
 Kunstverein Ars Avanti, Leipzig


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(7’’ audio loop, rewired car radio, cinderblock, printed text on paper)
On Saturday afternoons, when I was a child, my father said he could predict the football results - win, lose, or draw - based on the intonation of the radio presenter’s voice, hearing the result half a second before it was said.I understood it as a kind of divination.link
This residency exhibition was made possible through funding from Dunlaoghaire Rathdown County Council

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		<title>V shape, M shape</title>
				
		<link>https://rachelcharismurphy.cargo.site/V-shape-M-shape</link>

		<pubDate>Wed, 20 Oct 2021 18:01:40 +0000</pubDate>

		<dc:creator>Rachel Enright Murphy</dc:creator>

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		<description>
	
	
&#60;img width="5419" height="8071" width_o="5419" height_o="8071" data-src="https://freight.cargo.site/t/original/i/c899e91abf7f98c2060203663e9cfe493e5989dd1632ac95b765e1d9df2270a8/rds-full-document-dragged-2.jpg" data-mid="149543018" border="0" data-scale="26" src="https://freight.cargo.site/w/1000/i/c899e91abf7f98c2060203663e9cfe493e5989dd1632ac95b765e1d9df2270a8/rds-full-document-dragged-2.jpg" /&#62;
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&#38;nbsp;&#60;img width="3041" height="4134" width_o="3041" height_o="4134" data-src="https://freight.cargo.site/t/original/i/08254523bba528ee87afc78096280da7805aaa46190bbd0a5cf53732f5510b98/install-view-2.jpg" data-mid="151557616" border="0" data-scale="25" src="https://freight.cargo.site/w/1000/i/08254523bba528ee87afc78096280da7805aaa46190bbd0a5cf53732f5510b98/install-view-2.jpg" /&#62;

V Shape, M Shape (2022) - NCAD Degree Showfrom top to bottom left to right:
 

1. ‘Blackhawk, Falcon, Grey eagle, Nighthawk, Osprey, Goshawk’; Digital print,
247 x 22 cm

2. 

	
					Install view of ‘And hers shall be the breathing
balm’; Digital print, 84 x 118cm3. Install view of V Shape, M Shape’; 2 channel video, 11 mins.
4. (below) Detail of ‘And her’s shall be the breathing balm’

				
&#38;nbsp; &#38;nbsp; &#38;nbsp; ncad works 


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  &#38;nbsp; &#38;nbsp; video 


install video

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="823" height="547" width_o="823" height_o="547" data-src="https://freight.cargo.site/t/original/i/0d4b6024930be9198cf3d6fddf4b7c97381f6712f82ee1fe7b86b4db94f1994b/Screenshot-2025-02-27-122720.png" data-mid="227332280" border="0" data-scale="43" src="https://freight.cargo.site/w/823/i/0d4b6024930be9198cf3d6fddf4b7c97381f6712f82ee1fe7b86b4db94f1994b/Screenshot-2025-02-27-122720.png" /&#62; 


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		<title>cv</title>
				
		<link>https://rachelcharismurphy.cargo.site/cv</link>

		<pubDate>Wed, 12 Aug 2020 20:49:19 +0000</pubDate>

		<dc:creator>Rachel Enright Murphy</dc:creator>

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		<description>CV

Education -

(2018 - 2022) - National College of Art and Design: (BA Intl) Fine Art Media with Critical Cultures (1st).

(2021) - Universität der Künste, Berlin: Klasse Hito Steyerl (erasmus)

Solo Exhibitions 

2025 Clerical Error, Ormond Project Space


Selected group exhibitions
2024 AntiRust - Ormond artist studios2024 Open Space, SIM Residency Korpúlfsstaðir (open studio)
2023 Mouthsounds  - Fly Floor, The Complex Gallery and Studios, Dublin 
(performance)


2023 DET, PilotenKeuche Artist Studios - Leipzig2023 AMB, Kunstverein Ars Avanti, Leipzig
2022 V Shape, M Shape - NCAD Graduate show, Dublin

2022

Caesura - Unit 44, Dublin 
(performance)

2021 I Love The Things I Kill The Most - Dzialdov Gallery, Berlin
2021

PROTO - NCAD, Dublin 

2021

I Sleep Like A Girl - Brunnenstraße 42, Berlin&#38;nbsp;

(performance)


2020 Chairborne (Digital Exhibition)

2020

Don’t Touch The Work (Digital Exhibition)
2019 Digital skin&#38;nbsp; - IMMA Stables, Dublin

 
Awards and Funding


2025 Arts Council Visual Arts Bursary (Round 2)
2025 Temple Bar Gallery + Studios Recent Graduate Award
2025 Pan Pan 12th International Mentorship with Caden Manson
2024 Arts Council Agility Award

2024

Dun laoghaire Rathdown Emerging Artist Bursary
2023 Ormond Artist Studio’s Membership&#38;nbsp;
 2023 Dun Laoghaire Rathdown General Artist Grant &#38;nbsp;

Residencies 


2024 SIM residency programme, Reykjavik

2023 Screen Service, digital residency
2023 PilotenKeuche international residency programme, Leipzig


Screenings

2025 The Heckler - A River In Between, Studio 6 
Temple Bar Gallery and Studios


2025 FaceCake - Fanvid x AEMI


Press and Talks&#38;nbsp;
2025 Pan Pan International Mentorship Symposium, Dublin Theatre Festival 20252025 A River In Between, Ormond Talk Series,Studio 6 Temple Bar Gallery and Studios 2023 Culture night open forum,&#38;nbsp; Douglas Hyde Gallery2022 Rundgang.io&#38;nbsp; (V Shape, M Shape) 2022 Irish Arts Review&#38;nbsp; (V Shape, M Shape) 2022 DATA 20: DATA now panel - NCAD Gallery - Dublin 2022 Biosphere - NCAD Degree Show, NCAD Dublin 

Publications&#38;nbsp;
2024 Mosaic - Douglas Hyde Student Forum publication&#38;nbsp;2023 Caesura - Dublin Art book Fair -&#38;nbsp;

Temple Bar Gallery and Studios

 2023 And Time Is Good To Soft - Dublin Art book Fair -&#38;nbsp;

Temple Bar Gallery and Studios

&#38;nbsp;
2023 Screen Service digital residency &#38;nbsp;
2021 Emerge Magazine - Issue #2 RatParkProgramming and Professional development 2023-25 Ormond Artist Studio’s Membership, Dublin2023-25 Producer for Fanvid, Dublin2023-24 Douglas Hyde Student forum V, Dublin2022-23 Clancy Quay Artists Professional Development Programme, Dublin


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		<title>about</title>
				
		<link>https://rachelcharismurphy.cargo.site/about</link>

		<pubDate>Mon, 18 Dec 2023 18:18:26 +0000</pubDate>

		<dc:creator>Rachel Enright Murphy</dc:creator>

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		<description>Bio
 Rachel Enright Murphy is an artist from Dublin, Ireland. She makes text-based artworks using video, sound, performance and printed material. Her work creates semantic or phonetic experiments that act as intimate misreadings of legal agreements, documented events and scientific papers. She often collaborates with others through theatrical scripting and production practices to explore autonomy, spectatorship and sexual subjectivity. 

Rachel is a Residential Awardee of Firestation artist Studios (2026/27) and the Graduate Resident for Temple Bar Gallery + Studios (2025/26). Previous exhibitions, residencies and performances include: Clerical Error in Ormond Studios (2025), SIM Reykjavik (2024), and Fly Floor in The Complex Gallery (2023). She holds a BA in Fine Art Media from the National College of Art and Design and her practice is supported by the Arts Council of Ireland.&#38;nbsp;


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		<title>contact</title>
				
		<link>https://rachelcharismurphy.cargo.site/contact</link>

		<pubDate>Mon, 16 Jan 2023 18:14:56 +0000</pubDate>

		<dc:creator>Rachel Enright Murphy</dc:creator>

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		<description>CONTACT
rachelcharismurphy[at]gmail.com
Instagram
 
▓ ⚖ ✁
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