Rachel Enright Murphy

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<channel>
	<title>Rachel Enright Murphy</title>
	<link>https://rachelcharismurphy.cargo.site</link>
	<description>Rachel Enright Murphy</description>
	<pubDate>Wed, 26 Feb 2025 12:05:28 +0000</pubDate>
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		<title>overlay</title>
				
		<link>https://rachelcharismurphy.cargo.site/overlay</link>

		<pubDate>Fri, 15 Dec 2023 15:30:49 +0000</pubDate>

		<dc:creator>Rachel Enright Murphy</dc:creator>

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		<description>
	Rachel Enright Murphy
About&#38;nbsp;
CV
Contact &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 


&#60;img width="870" height="602" width_o="870" height_o="602" data-src="https://freight.cargo.site/t/original/i/772c0e1014e4e33cad151ee4163563dccb7d90ca681d6a71421178626a6300e3/WhatsApp-Image-2025-02-22-at-13.05.57-3.jpeg" data-mid="227261602" border="0" data-scale="27" src="https://freight.cargo.site/w/870/i/772c0e1014e4e33cad151ee4163563dccb7d90ca681d6a71421178626a6300e3/WhatsApp-Image-2025-02-22-at-13.05.57-3.jpeg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; (news!)


Work&#38;nbsp;
Clerical Error (2025)
V Shape, M Shape&#38;nbsp;(2022)
Over the 6th, Any second now (2023)
Mouth Sounds&#38;nbsp;
Half a second before it was said&#38;nbsp;
(2023)


Caesura (2023)
When my dog smiles, I smile (2021)
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		<title>Clerical Error</title>
				
		<link>https://rachelcharismurphy.cargo.site/Clerical-Error</link>

		<pubDate>Wed, 26 Feb 2025 12:05:28 +0000</pubDate>

		<dc:creator>Rachel Enright Murphy</dc:creator>

		<guid isPermaLink="true">https://rachelcharismurphy.cargo.site/Clerical-Error</guid>

		<description>Clerical Error (2025) - Ormond Project Space&#60;img width="870" height="602" width_o="870" height_o="602" data-src="https://freight.cargo.site/t/original/i/11d3f4c2c807f31e639b94e08fb3920a12f959f0c3dcc6670ca6c97cbe267774/WhatsApp-Image-2025-02-22-at-13.05.57-3.jpeg" data-mid="227265692" border="0" data-scale="19" src="https://freight.cargo.site/w/870/i/11d3f4c2c807f31e639b94e08fb3920a12f959f0c3dcc6670ca6c97cbe267774/WhatsApp-Image-2025-02-22-at-13.05.57-3.jpeg" /&#62;
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 From top to bottom, left to right:
1. Detail of Alternate Readings
2. Install view&#38;nbsp;left to right Over the 6th, Any Second Now (2023) and The word turquoise (2025).

2.The word turquoise(2025);&#38;nbsp;Framed and mounted digital print on fabriano (600 x 800)


3.

Alternate Readings (2024);&#38;nbsp; (dimensions variable) framed velvet fabric, scotch tape, printed image on mountboard. 4. Install view. Left to right, Alternate Readings (2024), Over the 6th, Any Second Now (2023), 
T-U-R-Q-U-O-I-S-E (2025).
Still of The Heckler (2025); 11’&#38;nbsp;
Photography by Silvina Sisterna


Exhibition Text: 


Clerical Error offers scenarios of altered perception using video, sound, printed text and sculptural elements. It draws from widely varied sources: catholic mysticism, operatic technique, horse racing commentary and the writing of Maggie Nelson. Textual error is a throughline of the work, allowing it to revel in its own misinterpretation, vagueness, and speculative qualities. Drawing from a quote from Nelson’s memior Bluets where she says:&#38;nbsp;
&#38;nbsp; &#38;nbsp; 


“I will not choose between the blue things of the world and the words that say them: you might as well be heating up the poker and readying your eyes for the altar. Your loss”.
 

 In Clerical error interpretation is constantly at odds with experience itself: many of the works speculate on forms of illiteracy and draw attention to the physicality of written and verbal communication. Maggie Nelson describes a rare form of colour blindness, known as acyanoblepsia, in which blue can not be perceived. A potential cure for it is Sildenafil, the active ingredient in Viagra, which increases blood flow to photoreceptors in the eyes. As a side effect, users see a more vibrant blue tint, T-U-R-Q-U-O-I-S-E reimagines this side effect as it’s original intended use. 
Many of the pieces intend to be misread: in Over the Sixth, Any Second Now: an announcer describes the perpetually occurring event of the racehorse Any Second Now’s grand national run.&#38;nbsp; 
The Heckler also features misreading. It reimagines the trial of fifteenth-century Abbess and mystic Benedeta Carlini, who claimed she was possessed by a male angel in order to pursue a sexual relationship with another nun. The lack of conceptual schema surrounding female homosexuality in Renaissance Italy meant that the written evidence was linguistically distorted, both in its vocabulary and in the handwriting itself. The piece recounts this event in a theatrical monologue, switching between written and recorded text which is constantly being interrupted. Using incoherent audio, textual error, and nonverbal speech, the piece suggests a queer female experience outside of contemporary language. 
Similarly, Alternate Readings draws upon haptic forms of religious ecstasy experienced by medieval mystics, some of whom were illiterate. Medieval mystical texts often represent the slit in the side of Christ’s corpse as a physical tear on the page that the devout, in imitation of doubting Thomas, could interact with.This exhibition was supportend by The Arts Council and Dun Laoghaire Rathdown County Council.

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		<title>V shape, M shape</title>
				
		<link>https://rachelcharismurphy.cargo.site/V-shape-M-shape</link>

		<pubDate>Wed, 20 Oct 2021 18:01:40 +0000</pubDate>

		<dc:creator>Rachel Enright Murphy</dc:creator>

		<guid isPermaLink="true">https://rachelcharismurphy.cargo.site/V-shape-M-shape</guid>

		<description>
	
	
&#60;img width="5419" height="8071" width_o="5419" height_o="8071" data-src="https://freight.cargo.site/t/original/i/c899e91abf7f98c2060203663e9cfe493e5989dd1632ac95b765e1d9df2270a8/rds-full-document-dragged-2.jpg" data-mid="149543018" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/c899e91abf7f98c2060203663e9cfe493e5989dd1632ac95b765e1d9df2270a8/rds-full-document-dragged-2.jpg" /&#62;
&#60;img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/b346cebfe10456daae02a5d6662eb9b929e6af3499913b5b6e091b040cbb56f3/IMG_9153.JPG" data-mid="149544644" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/b346cebfe10456daae02a5d6662eb9b929e6af3499913b5b6e091b040cbb56f3/IMG_9153.JPG" /&#62;&#38;nbsp;&#60;img width="3041" height="4134" width_o="3041" height_o="4134" data-src="https://freight.cargo.site/t/original/i/08254523bba528ee87afc78096280da7805aaa46190bbd0a5cf53732f5510b98/install-view-2.jpg" data-mid="151557616" border="0" data-scale="33" src="https://freight.cargo.site/w/1000/i/08254523bba528ee87afc78096280da7805aaa46190bbd0a5cf53732f5510b98/install-view-2.jpg" /&#62;

V Shape, M Shape (2022) - NCAD Degree Showfrom top to bottom left to right:
 

1. ‘Blackhawk, Falcon, Grey eagle, Nighthawk, Osprey, Goshawk’; Digital print,
247 x 22 cm

2. 

	
					Install view of ‘And hers shall be the breathing
balm’; Digital print, 84 x 118cm3. Install view of V Shape, M Shape’; 2 channel video, 11 mins.
4. (below) Detail of ‘And her’s shall be the breathing balm’

				
&#38;nbsp; &#38;nbsp; &#38;nbsp; ncad works 


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  &#38;nbsp; &#38;nbsp; video 


install video

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="823" height="547" width_o="823" height_o="547" data-src="https://freight.cargo.site/t/original/i/0d4b6024930be9198cf3d6fddf4b7c97381f6712f82ee1fe7b86b4db94f1994b/Screenshot-2025-02-27-122720.png" data-mid="227332280" border="0" data-scale="57" src="https://freight.cargo.site/w/823/i/0d4b6024930be9198cf3d6fddf4b7c97381f6712f82ee1fe7b86b4db94f1994b/Screenshot-2025-02-27-122720.png" /&#62; 


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	<item>
		<title>Over the 6th, Any Second Now</title>
				
		<link>https://rachelcharismurphy.cargo.site/Over-the-6th-Any-Second-Now</link>

		<pubDate>Tue, 28 Mar 2023 15:32:01 +0000</pubDate>

		<dc:creator>Rachel Enright Murphy</dc:creator>

		<guid isPermaLink="true">https://rachelcharismurphy.cargo.site/Over-the-6th-Any-Second-Now</guid>

		<description>&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="3673" height="2448" width_o="3673" height_o="2448" data-src="https://freight.cargo.site/t/original/i/b5f25b975f43b7ac1b0bb5e24f1632300bd985ee3087c11bf3d410dc50a68098/IMG_9546afterps2.jpg" data-mid="199509400" border="0" data-scale="42" src="https://freight.cargo.site/w/1000/i/b5f25b975f43b7ac1b0bb5e24f1632300bd985ee3087c11bf3d410dc50a68098/IMG_9546afterps2.jpg" /&#62;&#38;nbsp;
&#60;img width="3429" height="2324" width_o="3429" height_o="2324" data-src="https://freight.cargo.site/t/original/i/fff71cfdc52949cd84b19c9ab66743de469b77b831a1ef454ccf5e23498bbc42/IMG_9523afterps.jpg" data-mid="199509399" border="0" data-scale="42" src="https://freight.cargo.site/w/1000/i/fff71cfdc52949cd84b19c9ab66743de469b77b831a1ef454ccf5e23498bbc42/IMG_9523afterps.jpg" /&#62;&#38;nbsp;
&#60;img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/d8ae53800ae8f18d57d27727f4242866275f4462e2a7b189289fa4a583c28bb9/IMG_9491.JPG" data-mid="173375237" border="0" data-scale="21" src="https://freight.cargo.site/w/1000/i/d8ae53800ae8f18d57d27727f4242866275f4462e2a7b189289fa4a583c28bb9/IMG_9491.JPG" /&#62;&#38;nbsp;


	&#38;nbsp;

	Over the 6th,&#38;nbsp; Any Second Now (2023)&#38;nbsp;

(A5 paper zine, 3’’30’ audio loop, installed speaker)

Any second now works against time.&#38;nbsp;
audio link

This residency exhibition was made possible through funding from Dunlaoghaire Rathdown County Council

	
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	<item>
		<title>Mouthsounds</title>
				
		<link>https://rachelcharismurphy.cargo.site/Mouthsounds</link>

		<pubDate>Mon, 05 Dec 2022 18:10:02 +0000</pubDate>

		<dc:creator>Rachel Enright Murphy</dc:creator>

		<guid isPermaLink="true">https://rachelcharismurphy.cargo.site/Mouthsounds</guid>

		<description>

&#60;img width="3830" height="2510" width_o="3830" height_o="2510" data-src="https://freight.cargo.site/t/original/i/9f933f891c86f687201fc533f896148446f9261b57335d41d35b12916f13b2e2/P1200872.jpg" data-mid="176906453" border="0" data-scale="40" src="https://freight.cargo.site/w/1000/i/9f933f891c86f687201fc533f896148446f9261b57335d41d35b12916f13b2e2/P1200872.jpg" /&#62;
	
	Mouthsounds (2023)&#38;nbsp;Audio performance using mixing desk, microphone, guitar loop pedal, computer and speakers - Fly Floor:The Complex Gallery
. 
Artworks featured in image are by Louisa Casas and Niamh O’Malley. Photo by Fionn McErlean.
Mouthsounds is an experimental audio performance series that explores repetition, musical timing and the human voice through poetry, audio looping, and alternative narrative. Centred around a narrative of a bat being trapped inside a church, the performance interprets both the human voice and echolocation as a form of spatial or interpersonal enquiry. Through gaps in speech and moments of disfluency, a parallel storytelling emerges. Repetitive action becomes a spatial orientation: thinking, communicating, and perceiving simultaneously.Mouthsounds has been performed in Unit 44 in Dublin as a response to the exhibition Caesura in December 2022, and in April 2023 at a closing event to the Fly Floor exibition in The Complex Gallery in Dublin.

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Caesura&#38;nbsp;

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Fly Floor
	

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	<item>
		<title>Half a second before it was said</title>
				
		<link>https://rachelcharismurphy.cargo.site/Half-a-second-before-it-was-said</link>

		<pubDate>Tue, 28 Mar 2023 15:31:59 +0000</pubDate>

		<dc:creator>Rachel Enright Murphy</dc:creator>

		<guid isPermaLink="true">https://rachelcharismurphy.cargo.site/Half-a-second-before-it-was-said</guid>

		<description>


&#60;img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/37ec3e1933268395f01ffb09e891b3ea6631205823f4aabede95c369531a9918/IMG_9349.JPG" data-mid="173377559" border="0" data-scale="28" src="https://freight.cargo.site/w/1000/i/37ec3e1933268395f01ffb09e891b3ea6631205823f4aabede95c369531a9918/IMG_9349.JPG" /&#62;&#38;nbsp;&#60;img width="3239" height="4859" width_o="3239" height_o="4859" data-src="https://freight.cargo.site/t/original/i/adad9c70980d3474ced00819370593a929759e7ce17a3ece2a4da63e435f02a1/IMG_9356.jpeg" data-mid="173377727" border="0" data-scale="28
" src="https://freight.cargo.site/w/1000/i/adad9c70980d3474ced00819370593a929759e7ce17a3ece2a4da63e435f02a1/IMG_9356.jpeg" /&#62;


	Half a second before it was said (2023)&#38;nbsp; - Kunstverein Ars Avanti, Leipzig
(7’’ audio loop, rewired car radio, cinderblock, printed text on paper)
On Saturday afternoons, when I was a child, my father said he could predict the football results - win, lose, or draw - based on the intonation of the radio presenter’s voice, hearing the result half a second before it was said.I understood it as a kind of divination.link
This residency exhibition was made possible through funding from Dunlaoghaire Rathdown County Council


 &#60;img width="3042" height="4278" width_o="3042" height_o="4278" data-src="https://freight.cargo.site/t/original/i/988f66cf93f07d3bf563610399129c8d1763bc6d0207163965021c3223d14715/IMG_9377.jpeg" data-mid="173377739" border="0" data-scale="18" src="https://freight.cargo.site/w/1000/i/988f66cf93f07d3bf563610399129c8d1763bc6d0207163965021c3223d14715/IMG_9377.jpeg" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>contact</title>
				
		<link>https://rachelcharismurphy.cargo.site/contact</link>

		<pubDate>Mon, 16 Jan 2023 18:14:56 +0000</pubDate>

		<dc:creator>Rachel Enright Murphy</dc:creator>

		<guid isPermaLink="true">https://rachelcharismurphy.cargo.site/contact</guid>

		<description>CONTACT
email: rachelcharismurphy[at]gmail.com
Instagram
 
🪱🦇🤍🏹</description>
		
	</item>
		
		
	<item>
		<title>cv</title>
				
		<link>https://rachelcharismurphy.cargo.site/cv</link>

		<pubDate>Wed, 12 Aug 2020 20:49:19 +0000</pubDate>

		<dc:creator>Rachel Enright Murphy</dc:creator>

		<guid isPermaLink="true">https://rachelcharismurphy.cargo.site/cv</guid>

		<description>CV

Education -

(2018 - 2022) - National College of Art and Design: (BA Intl) Fine Art Media with Critical Cultures (1st).

(2021) - Universität der Künste, Berlin: Klasse Hito Steyerl (erasmus)

Solo Exhibitions 

2025 Clerical Error, Ormond Project Space


Selected group exhibitions
2024 AntiRust - Ormond artist studios2024 Open Space, SIM Residency Korpúlfsstaðir (open studio)
2023 Mouthsounds  - Fly Floor, The Complex Gallery and Studios, Dublin 
(performance)


2023 DET, PilotenKeuche Artist Studios - Leipzig2023 AMB, Kunstverein Ars Avanti, Leipzig
2022 V Shape, M Shape - NCAD Graduate show, Dublin

2022

Caesura - Unit 44, Dublin 
(performance)

2021 I Love The Things I Kill The Most - Dzialdov Gallery, Berlin
2021

PROTO - NCAD, Dublin 

2021

I Sleep Like A Girl - Brunnenstraße 42, Berlin&#38;nbsp;

(performance)


2020 Chairborne (Digital Exhibition)

2020

Don’t Touch The Work (Digital Exhibition)
2019 Digital skin&#38;nbsp; - IMMA Stables, Dublin

 
Awards and Funding


2025 Arts Council Visual Arts Bursary (Round 2)
2025 Temple Bar Gallery + Studios Recent Graduate Award
2025 Pan Pan 12th International Mentorship with Caden Manson
2024 Arts Council Agility Award

2024

Dun laoghaire Rathdown Emerging Artist Bursary
2023 Ormond Artist Studio’s Membership&#38;nbsp;
 2023 Dun Laoghaire Rathdown General Artist Grant &#38;nbsp;

Residencies 


2024 SIM residency programme, Reykjavik

2023 Screen Service, digital residency
2023 PilotenKeuche international residency programme, Leipzig


Screenings

2025 The Heckler - A River In Between, Studio 6 
Temple Bar Gallery and Studios


2025 FaceCake - Fanvid x AEMI


Press and Talks&#38;nbsp;
2025 Pan Pan International Mentorship Symposium, Dublin Theatre Festival 20252025 A River In Between, Ormond Talk Series,Studio 6 Temple Bar Gallery and Studios 2023 Culture night open forum,&#38;nbsp; Douglas Hyde Gallery2022 Rundgang.io&#38;nbsp; (V Shape, M Shape) 2022 Irish Arts Review&#38;nbsp; (V Shape, M Shape) 2022 DATA 20: DATA now panel - NCAD Gallery - Dublin 2022 Biosphere - NCAD Degree Show, NCAD Dublin 

Publications&#38;nbsp;
2024 Mosaic - Douglas Hyde Student Forum publication&#38;nbsp;2023 Caesura - Dublin Art book Fair -&#38;nbsp;

Temple Bar Gallery and Studios

 2023 And Time Is Good To Soft - Dublin Art book Fair -&#38;nbsp;

Temple Bar Gallery and Studios

&#38;nbsp;
2023 Screen Service digital residency &#38;nbsp;
2021 Emerge Magazine - Issue #2 RatParkProgramming and Professional development 2023-25 Ormond Artist Studio’s Membership, Dublin2023-25 Producer for Fanvid, Dublin2023-24 Douglas Hyde Student forum V, Dublin2022-23 Clancy Quay Artists Professional Development Programme, Dublin


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	<item>
		<title>A Fossil's Milk</title>
				
		<link>https://rachelcharismurphy.cargo.site/A-Fossil-s-Milk-1</link>

		<pubDate>Wed, 01 Jun 2022 13:46:13 +0000</pubDate>

		<dc:creator>Rachel Enright Murphy</dc:creator>

		<guid isPermaLink="true">https://rachelcharismurphy.cargo.site/A-Fossil-s-Milk-1</guid>

		<description>
	A Fossil’s Milk&#38;nbsp;
	

	&#38;nbsp; &#38;nbsp; &#60;img width="1162" height="1599" width_o="1162" height_o="1599" data-src="https://freight.cargo.site/t/original/i/59838b1bf3938a1423bc5112586ed25aa31c898a8f9e339227876d60fb99a88d/Screenshot-2022-01-17-at-22.58.49.png" data-mid="144250227" border="0" data-scale="47" src="https://freight.cargo.site/w/1000/i/59838b1bf3938a1423bc5112586ed25aa31c898a8f9e339227876d60fb99a88d/Screenshot-2022-01-17-at-22.58.49.png" /&#62;
&#60;img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/2567999e066d18c36550e2ad0acda46aebff10b45e8a8c8ad714f9c1e4fbc628/IMG_9747.jpg" data-mid="144250036" border="0" data-scale="47" src="https://freight.cargo.site/w/1000/i/2567999e066d18c36550e2ad0acda46aebff10b45e8a8c8ad714f9c1e4fbc628/IMG_9747.jpg" /&#62;&#60;img width="3972" height="2649" width_o="3972" height_o="2649" data-src="https://freight.cargo.site/t/original/i/a700dd5ea4bb0023a7ba737d4a3fd0f4e9e9849b2c7e09d29ffebfad75200219/IMG_9752.jpg" data-mid="144250065" border="0" data-scale="51" src="https://freight.cargo.site/w/1000/i/a700dd5ea4bb0023a7ba737d4a3fd0f4e9e9849b2c7e09d29ffebfad75200219/IMG_9752.jpg" /&#62;&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/8141702140c9e3ad19548f78e263f98257990ddb273aad6756c87affb0cca40a/IMG_9791.jpg" data-mid="144250047" border="0" data-scale="51" src="https://freight.cargo.site/w/1000/i/8141702140c9e3ad19548f78e263f98257990ddb273aad6756c87affb0cca40a/IMG_9791.jpg" /&#62;

&#60;img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/ca0c9dbf92e40d01997df74d07c7b2101d5f3b8accf8ce575fd782e13bcfa658/towardstheearth.jpg" data-mid="144250068" border="0" data-scale="42" src="https://freight.cargo.site/w/1000/i/ca0c9dbf92e40d01997df74d07c7b2101d5f3b8accf8ce575fd782e13bcfa658/towardstheearth.jpg" /&#62;A Fossil’s Milk is a series of drawings and accompanying text piece about parthenogenesis, a form of asexual reproduction that occurs between female lizards without the need of a male. The drawings play on the ways in which fantasy and narrative complement science and history, creating biological paradoxes about reproduction and evolution. The drawings and text piece are inspired by primordial desert landscapes and the concept of eternity, while imbuing a narrative of queer possibility. A Fossil’s Milk connects the prehistoric past with the far future as times enigmatic and unrealised. &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="1709" height="1659" width_o="1709" height_o="1659" data-src="https://freight.cargo.site/t/original/i/b82c59756f6a74ab07f0c4a0747b1d6b6df09d736dc83c27af524d335cd4a310/CCF31122020.png" data-mid="144250076" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/b82c59756f6a74ab07f0c4a0747b1d6b6df09d736dc83c27af524d335cd4a310/CCF31122020.png" /&#62;


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; text piece link &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="300" height="168" width_o="300" height_o="168" data-src="https://freight.cargo.site/t/original/i/c6a7d48163ed4371aa7a61247073a29450ad7bb5ab8ee6e5b2e3a13a9f1afd38/download.jpg" data-mid="144250571" border="0"  src="https://freight.cargo.site/w/300/i/c6a7d48163ed4371aa7a61247073a29450ad7bb5ab8ee6e5b2e3a13a9f1afd38/download.jpg" /&#62;
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; ︎
 &#38;nbsp; &#38;nbsp;︎


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	<item>
		<title>A fossil's milk text piece</title>
				
		<link>https://rachelcharismurphy.cargo.site/A-fossil-s-milk-text-piece</link>

		<pubDate>Wed, 01 Jun 2022 13:18:23 +0000</pubDate>

		<dc:creator>Rachel Enright Murphy</dc:creator>

		<guid isPermaLink="true">https://rachelcharismurphy.cargo.site/A-fossil-s-milk-text-piece</guid>

		<description>&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/ea7daad7867b94904669aeda4c6809c682b44501cd58e4d30df5221f6c96b861/IMG_9812.jpg" data-mid="144249616" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/ea7daad7867b94904669aeda4c6809c682b44501cd58e4d30df5221f6c96b861/IMG_9812.jpg" /&#62;


We&#38;nbsp;lay&#38;nbsp;there&#38;nbsp;for&#38;nbsp;some&#38;nbsp;time, your&#38;nbsp;head&#38;nbsp;against&#38;nbsp;my&#38;nbsp;chest, Distinct&#38;nbsp;stillness. I&#38;nbsp;could&#38;nbsp;barely&#38;nbsp;strain&#38;nbsp;my&#38;nbsp;eyes to&#38;nbsp;see&#38;nbsp;the&#38;nbsp;end&#38;nbsp;of&#38;nbsp;you, you&#38;nbsp;were&#38;nbsp;too&#38;nbsp;heavy. I&#38;nbsp;instead&#38;nbsp;focused&#38;nbsp;on&#38;nbsp;the&#38;nbsp;sky, on&#38;nbsp;the&#38;nbsp;part&#38;nbsp;where&#38;nbsp;it&#38;nbsp;touched&#38;nbsp;the&#38;nbsp;earth. We&#38;nbsp;lay&#38;nbsp;for&#38;nbsp;so&#38;nbsp;long a&#38;nbsp;depression&#38;nbsp;had&#38;nbsp;formed&#38;nbsp;in&#38;nbsp;my&#38;nbsp;mattress&#38;nbsp;box&#38;nbsp;spring. and&#38;nbsp;the&#38;nbsp;side&#38;nbsp;of&#38;nbsp;your&#38;nbsp;skull&#38;nbsp;pushing&#38;nbsp;into&#38;nbsp;my&#38;nbsp;sternum was&#38;nbsp;no&#38;nbsp;longer&#38;nbsp;comforting As&#38;nbsp;your&#38;nbsp;temple&#38;nbsp;would&#38;nbsp;slice&#38;nbsp;through&#38;nbsp;my&#38;nbsp;ribcage Your&#38;nbsp;bones&#38;nbsp;would&#38;nbsp;pass&#38;nbsp;through&#38;nbsp;mine in&#38;nbsp;a&#38;nbsp;swift&#38;nbsp;slow&#38;nbsp;push beating&#38;nbsp;me&#38;nbsp;into&#38;nbsp;the&#38;nbsp;ground&#38;nbsp; the&#38;nbsp;dullness&#38;nbsp;of&#38;nbsp;the&#38;nbsp;back&#38;nbsp;of&#38;nbsp;your&#38;nbsp;skull made&#38;nbsp;me&#38;nbsp;think&#38;nbsp;of&#38;nbsp;stone&#38;nbsp;tools and&#38;nbsp;tent&#38;nbsp;pegs then&#38;nbsp;the&#38;nbsp;rain&#38;nbsp;came and&#38;nbsp;stirred&#38;nbsp;the&#38;nbsp;soil filling&#38;nbsp;in&#38;nbsp;our&#38;nbsp;pit Covering&#38;nbsp;up&#38;nbsp;my&#38;nbsp;view of&#38;nbsp;the&#38;nbsp;sometimes&#38;nbsp;red sometimes&#38;nbsp;purple&#38;nbsp;sky (I&#38;nbsp;resent&#38;nbsp;it&#38;nbsp;for&#38;nbsp;this) Silt&#38;nbsp;settles&#38;nbsp;at&#38;nbsp;the&#38;nbsp;corner&#38;nbsp;of&#38;nbsp;my&#38;nbsp;eyelids the&#38;nbsp;vitreous&#38;nbsp;humour&#38;nbsp;solidifies Fish&#38;nbsp;kisses make&#38;nbsp;up&#38;nbsp;for&#38;nbsp;your&#38;nbsp;lack&#38;nbsp;of&#38;nbsp;affections I&#38;nbsp;watch&#38;nbsp;your&#38;nbsp;skin&#38;nbsp;start&#38;nbsp;to&#38;nbsp;prune As&#38;nbsp;our&#38;nbsp;bodies&#38;nbsp;seep&#38;nbsp;a&#38;nbsp;grey&#38;nbsp;halo into&#38;nbsp;the&#38;nbsp;water The&#38;nbsp;water&#38;nbsp;is&#38;nbsp;still and&#38;nbsp;your&#38;nbsp;hands&#38;nbsp;and&#38;nbsp;arms&#38;nbsp;started&#38;nbsp;to&#38;nbsp;fill&#38;nbsp;the&#38;nbsp;cavity where&#38;nbsp;my&#38;nbsp;lungs&#38;nbsp;were spreading&#38;nbsp;out&#38;nbsp;your&#38;nbsp;claws making&#38;nbsp;yourself&#38;nbsp;at&#38;nbsp;home a&#38;nbsp;morning&#38;nbsp;stretch The&#38;nbsp;sediment&#38;nbsp;packed&#38;nbsp;us&#38;nbsp;in&#38;nbsp;tighter Pushing&#38;nbsp;us&#38;nbsp;underground Wringing&#38;nbsp;out&#38;nbsp;our&#38;nbsp;waterlogged&#38;nbsp;bodies Watching&#38;nbsp;the&#38;nbsp;black&#38;nbsp;drips&#38;nbsp;pass from&#38;nbsp;your&#38;nbsp;lip&#38;nbsp;to&#38;nbsp;the&#38;nbsp;hole&#38;nbsp;in&#38;nbsp;my&#38;nbsp;neck Regurgitating&#38;nbsp;it's&#38;nbsp;slickness coating&#38;nbsp;my&#38;nbsp;insides my&#38;nbsp;bones&#38;nbsp;are&#38;nbsp;made&#38;nbsp;of&#38;nbsp;soft&#38;nbsp;chewy&#38;nbsp;things melted&#38;nbsp;toffee maoam&#38;nbsp;bars glue stringy&#38;nbsp;and&#38;nbsp;impossible I&#38;nbsp;am&#38;nbsp;easily&#38;nbsp;pushed your&#38;nbsp;persitance&#38;nbsp;rearranges&#38;nbsp;my&#38;nbsp;atoms   I&#38;nbsp;would&#38;nbsp;appreciate&#38;nbsp;it&#38;nbsp;if&#38;nbsp;you&#38;nbsp;stopped down&#38;nbsp;this&#38;nbsp;far&#38;nbsp;I&#38;nbsp;can&#38;nbsp;hear&#38;nbsp;the&#38;nbsp;earths&#38;nbsp;hum And&#38;nbsp;feel&#38;nbsp;it&#38;nbsp;rounding&#38;nbsp;the&#38;nbsp;corner at&#38;nbsp;the&#38;nbsp;edge&#38;nbsp;of&#38;nbsp;the&#38;nbsp;crust when&#38;nbsp;time&#38;nbsp;stretches&#38;nbsp;out And&#38;nbsp;splays&#38;nbsp;its&#38;nbsp;fingers I&#38;nbsp;could&#38;nbsp;do&#38;nbsp;the&#38;nbsp;same

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