https://rachelcharismurphy.cargo.site Rachel Enright Murphy Wed, 26 Feb 2025 12:05:28 +0000 https://rachelcharismurphy.cargo.site en https://rachelcharismurphy.cargo.site/overlay Fri, 15 Dec 2023 15:30:49 +0000 Rachel Enright Murphy https://rachelcharismurphy.cargo.site/overlay Rachel Enright Murphy Info&nbsp; Contact &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <img width="870" height="602" width_o="870" height_o="602" data-src="https://freight.cargo.site/t/original/i/772c0e1014e4e33cad151ee4163563dccb7d90ca681d6a71421178626a6300e3/WhatsApp-Image-2025-02-22-at-13.05.57-3.jpeg" data-mid="227261602" border="0" data-scale="27" src="https://freight.cargo.site/w/870/i/772c0e1014e4e33cad151ee4163563dccb7d90ca681d6a71421178626a6300e3/WhatsApp-Image-2025-02-22-at-13.05.57-3.jpeg" />Current/Upcoming No Obligation (Sept. 9th - 13th 2026) - Temple Bar Gallery + Studios Residential Award (2026/27) - Firestation Artist StudiosRecent Graduate Resident (2025/26)-&nbsp;Temple Bar Gallery + Studios Works &nbsp; Clerical Error (2025) Over the 6th, Any second now (2023) Half a second before it was said (2023) V Shape, M Shape (2022) https://rachelcharismurphy.cargo.site/Clerical-Error Wed, 26 Feb 2025 12:05:28 +0000 Rachel Enright Murphy https://rachelcharismurphy.cargo.site/Clerical-Error Clerical Error (2025)&nbsp; <img width="2568" height="1685" width_o="2568" height_o="1685" data-src="https://freight.cargo.site/t/original/i/d94b33a63067b2ae68ec126607ff2fe23f804f14bee4aef0d5b448785e6464b0/Screenshot-2025-05-13-at-16.03.52.png" data-mid="233148202" border="0" data-scale="46" src="https://freight.cargo.site/w/1000/i/d94b33a63067b2ae68ec126607ff2fe23f804f14bee4aef0d5b448785e6464b0/Screenshot-2025-05-13-at-16.03.52.png" /> <img width="3521" height="5224" width_o="3521" height_o="5224" data-src="https://freight.cargo.site/t/original/i/fa7d328b1b092e89b9bd072baf03dfe996109b7698722d50ece820447a20d55f/_MG_1484.jpg" data-mid="233148229" border="0" data-scale="20" src="https://freight.cargo.site/w/1000/i/fa7d328b1b092e89b9bd072baf03dfe996109b7698722d50ece820447a20d55f/_MG_1484.jpg" />&nbsp; &nbsp; &nbsp;<img width="1067" height="1599" width_o="1067" height_o="1599" data-src="https://freight.cargo.site/t/original/i/a74e050b33f9922645b8b2c37afd1a1b5e23853d87b681f8d9bef88aededc489/WhatsApp-Image-2025-02-22-at-13.05.57-2.jpeg" data-mid="227265691" border="0" data-scale="20" src="https://freight.cargo.site/w/1000/i/a74e050b33f9922645b8b2c37afd1a1b5e23853d87b681f8d9bef88aededc489/WhatsApp-Image-2025-02-22-at-13.05.57-2.jpeg" /> &nbsp; From top to bottom, left to right: 1. Still of The Heckler (2025); 11’ 2. Install view&nbsp;left to right Over the 6th, Any Second Now (2023) and The word turquoise (2025). 2.The word turquoise(2025);&nbsp;Framed and mounted digital print on fabriano (600 x 800) Photography by Silvina Sisterna Exhibition Text: Clerical Error offers scenarios of altered perception using video, sound, printed text and sculptural elements. It draws from widely varied sources: catholic mysticism, operatic technique, horse racing commentary and the writing of Maggie Nelson. Textual error is a throughline of the work, allowing it to revel in its own misinterpretation, vagueness, and speculative qualities. Drawing from a quote from Nelson’s memior Bluets where she says:&nbsp; &nbsp; &nbsp; “I will not choose between the blue things of the world and the words that say them: you might as well be heating up the poker and readying your eyes for the altar. Your loss”. In Clerical error interpretation is constantly at odds with experience itself: many of the works speculate on forms of illiteracy and draw attention to the physicality of written and verbal communication. Maggie Nelson describes a rare form of colour blindness, known as acyanoblepsia, in which blue can not be perceived. A potential cure for it is Sildenafil, the active ingredient in Viagra, which increases blood flow to photoreceptors in the eyes. As a side effect, users see a more vibrant blue tint, The Word Turquoise (2025) reimagines this side effect as it’s original intended use. Many of the pieces intend to be misread: in Over the Sixth, Any Second Now: an announcer describes the perpetually occurring event of the racehorse Any Second Now’s grand national run.&nbsp; The Heckler also features misreading. It reimagines the trial of fifteenth-century Abbess and mystic Benedeta Carlini, who claimed she was possessed by a male angel in order to pursue a sexual relationship with another nun. The lack of conceptual schema surrounding female homosexuality in Renaissance Italy meant that the written evidence was linguistically distorted, both in its vocabulary and in the handwriting itself. The piece recounts this event in a theatrical monologue, switching between written and recorded text which is constantly being interrupted. Using incoherent audio, textual error, and nonverbal speech, the piece suggests a queer female experience outside of contemporary language.&nbsp;This exhibition was supportend by The Arts Council and Dun Laoghaire Rathdown County Council. https://rachelcharismurphy.cargo.site/Over-the-6th-Any-Second-Now Tue, 28 Mar 2023 15:32:01 +0000 Rachel Enright Murphy https://rachelcharismurphy.cargo.site/Over-the-6th-Any-Second-Now Over the 6th,&nbsp; Any Second Now (2023) &nbsp; <img width="1066" height="1599" width_o="1066" height_o="1599" data-src="https://freight.cargo.site/t/original/i/55e8211a6b2474fa41f0dbe87b9204710d141eb02f9c860b30fa0fa0b28c9914/WhatsApp-Image-2025-02-22-at-13.05.57-1.jpg" data-mid="227348252" border="0" src="https://freight.cargo.site/w/1000/i/55e8211a6b2474fa41f0dbe87b9204710d141eb02f9c860b30fa0fa0b28c9914/WhatsApp-Image-2025-02-22-at-13.05.57-1.jpg" /> ( 3’’ audio loop, installed speaker) Any second now works against time.&nbsp; audio link https://rachelcharismurphy.cargo.site/Half-a-second-before-it-was-said Tue, 28 Mar 2023 15:31:59 +0000 Rachel Enright Murphy https://rachelcharismurphy.cargo.site/Half-a-second-before-it-was-said Half a second before it was said (2023)&nbsp; - Kunstverein Ars Avanti, Leipzig <img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/37ec3e1933268395f01ffb09e891b3ea6631205823f4aabede95c369531a9918/IMG_9349.JPG" data-mid="173377559" border="0" data-scale="26" src="https://freight.cargo.site/w/1000/i/37ec3e1933268395f01ffb09e891b3ea6631205823f4aabede95c369531a9918/IMG_9349.JPG" /> (7’’ audio loop, rewired car radio, cinderblock, printed text on paper) On Saturday afternoons, when I was a child, my father said he could predict the football results - win, lose, or draw - based on the intonation of the radio presenter’s voice, hearing the result half a second before it was said.I understood it as a kind of divination.link This residency exhibition was made possible through funding from Dunlaoghaire Rathdown County Council <img width="3239" height="4859" width_o="3239" height_o="4859" data-src="https://freight.cargo.site/t/original/i/adad9c70980d3474ced00819370593a929759e7ce17a3ece2a4da63e435f02a1/IMG_9356.jpeg" data-mid="173377727" border="0" data-scale="33" src="https://freight.cargo.site/w/1000/i/adad9c70980d3474ced00819370593a929759e7ce17a3ece2a4da63e435f02a1/IMG_9356.jpeg" /> https://rachelcharismurphy.cargo.site/V-shape-M-shape Wed, 20 Oct 2021 18:01:40 +0000 Rachel Enright Murphy https://rachelcharismurphy.cargo.site/V-shape-M-shape <img width="5419" height="8071" width_o="5419" height_o="8071" data-src="https://freight.cargo.site/t/original/i/c899e91abf7f98c2060203663e9cfe493e5989dd1632ac95b765e1d9df2270a8/rds-full-document-dragged-2.jpg" data-mid="149543018" border="0" data-scale="26" src="https://freight.cargo.site/w/1000/i/c899e91abf7f98c2060203663e9cfe493e5989dd1632ac95b765e1d9df2270a8/rds-full-document-dragged-2.jpg" /> <img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/b346cebfe10456daae02a5d6662eb9b929e6af3499913b5b6e091b040cbb56f3/IMG_9153.JPG" data-mid="149544644" border="0" data-scale="26" src="https://freight.cargo.site/w/1000/i/b346cebfe10456daae02a5d6662eb9b929e6af3499913b5b6e091b040cbb56f3/IMG_9153.JPG" /> &nbsp;<img width="3041" height="4134" width_o="3041" height_o="4134" data-src="https://freight.cargo.site/t/original/i/08254523bba528ee87afc78096280da7805aaa46190bbd0a5cf53732f5510b98/install-view-2.jpg" data-mid="151557616" border="0" data-scale="25" src="https://freight.cargo.site/w/1000/i/08254523bba528ee87afc78096280da7805aaa46190bbd0a5cf53732f5510b98/install-view-2.jpg" /> V Shape, M Shape (2022) - NCAD Degree Showfrom top to bottom left to right: 1. ‘Blackhawk, Falcon, Grey eagle, Nighthawk, Osprey, Goshawk’; Digital print, 247 x 22 cm 2. Install view of ‘And hers shall be the breathing balm’; Digital print, 84 x 118cm3. Install view of V Shape, M Shape’; 2 channel video, 11 mins. 4. (below) Detail of ‘And her’s shall be the breathing balm’ &nbsp; &nbsp; &nbsp; ncad works &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; video install video &nbsp; &nbsp; &nbsp; &nbsp;<img width="823" height="547" width_o="823" height_o="547" data-src="https://freight.cargo.site/t/original/i/0d4b6024930be9198cf3d6fddf4b7c97381f6712f82ee1fe7b86b4db94f1994b/Screenshot-2025-02-27-122720.png" data-mid="227332280" border="0" data-scale="43" src="https://freight.cargo.site/w/823/i/0d4b6024930be9198cf3d6fddf4b7c97381f6712f82ee1fe7b86b4db94f1994b/Screenshot-2025-02-27-122720.png" /> https://rachelcharismurphy.cargo.site/A-Fossil-s-Milk-1 Wed, 01 Jun 2022 13:46:13 +0000 Rachel Enright Murphy https://rachelcharismurphy.cargo.site/A-Fossil-s-Milk-1 A Fossil’s Milk&nbsp; &nbsp; &nbsp; <img width="1162" height="1599" width_o="1162" height_o="1599" data-src="https://freight.cargo.site/t/original/i/59838b1bf3938a1423bc5112586ed25aa31c898a8f9e339227876d60fb99a88d/Screenshot-2022-01-17-at-22.58.49.png" data-mid="144250227" border="0" data-scale="47" src="https://freight.cargo.site/w/1000/i/59838b1bf3938a1423bc5112586ed25aa31c898a8f9e339227876d60fb99a88d/Screenshot-2022-01-17-at-22.58.49.png" /> <img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/2567999e066d18c36550e2ad0acda46aebff10b45e8a8c8ad714f9c1e4fbc628/IMG_9747.jpg" data-mid="144250036" border="0" data-scale="47" src="https://freight.cargo.site/w/1000/i/2567999e066d18c36550e2ad0acda46aebff10b45e8a8c8ad714f9c1e4fbc628/IMG_9747.jpg" /><img width="3972" height="2649" width_o="3972" height_o="2649" data-src="https://freight.cargo.site/t/original/i/a700dd5ea4bb0023a7ba737d4a3fd0f4e9e9849b2c7e09d29ffebfad75200219/IMG_9752.jpg" data-mid="144250065" border="0" data-scale="51" src="https://freight.cargo.site/w/1000/i/a700dd5ea4bb0023a7ba737d4a3fd0f4e9e9849b2c7e09d29ffebfad75200219/IMG_9752.jpg" /><img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/8141702140c9e3ad19548f78e263f98257990ddb273aad6756c87affb0cca40a/IMG_9791.jpg" data-mid="144250047" border="0" data-scale="51" src="https://freight.cargo.site/w/1000/i/8141702140c9e3ad19548f78e263f98257990ddb273aad6756c87affb0cca40a/IMG_9791.jpg" /> <img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/ca0c9dbf92e40d01997df74d07c7b2101d5f3b8accf8ce575fd782e13bcfa658/towardstheearth.jpg" data-mid="144250068" border="0" data-scale="42" src="https://freight.cargo.site/w/1000/i/ca0c9dbf92e40d01997df74d07c7b2101d5f3b8accf8ce575fd782e13bcfa658/towardstheearth.jpg" />A Fossil’s Milk is a series of drawings and accompanying text piece about parthenogenesis, a form of asexual reproduction that occurs between female lizards without the need of a male. The drawings play on the ways in which fantasy and narrative complement science and history, creating biological paradoxes about reproduction and evolution. The drawings and text piece are inspired by primordial desert landscapes and the concept of eternity, while imbuing a narrative of queer possibility. A Fossil’s Milk connects the prehistoric past with the far future as times enigmatic and unrealised. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <img width="1709" height="1659" width_o="1709" height_o="1659" data-src="https://freight.cargo.site/t/original/i/b82c59756f6a74ab07f0c4a0747b1d6b6df09d736dc83c27af524d335cd4a310/CCF31122020.png" data-mid="144250076" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/b82c59756f6a74ab07f0c4a0747b1d6b6df09d736dc83c27af524d335cd4a310/CCF31122020.png" /> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; text piece link &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<img width="300" height="168" width_o="300" height_o="168" data-src="https://freight.cargo.site/t/original/i/c6a7d48163ed4371aa7a61247073a29450ad7bb5ab8ee6e5b2e3a13a9f1afd38/download.jpg" data-mid="144250571" border="0" src="https://freight.cargo.site/w/300/i/c6a7d48163ed4371aa7a61247073a29450ad7bb5ab8ee6e5b2e3a13a9f1afd38/download.jpg" /> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; ︎ &nbsp; &nbsp;︎ https://rachelcharismurphy.cargo.site/A-fossil-s-milk-text-piece Wed, 01 Jun 2022 13:18:23 +0000 Rachel Enright Murphy https://rachelcharismurphy.cargo.site/A-fossil-s-milk-text-piece <img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/ea7daad7867b94904669aeda4c6809c682b44501cd58e4d30df5221f6c96b861/IMG_9812.jpg" data-mid="144249616" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/ea7daad7867b94904669aeda4c6809c682b44501cd58e4d30df5221f6c96b861/IMG_9812.jpg" /> We&nbsp;lay&nbsp;there&nbsp;for&nbsp;some&nbsp;time, your&nbsp;head&nbsp;against&nbsp;my&nbsp;chest, Distinct&nbsp;stillness. I&nbsp;could&nbsp;barely&nbsp;strain&nbsp;my&nbsp;eyes to&nbsp;see&nbsp;the&nbsp;end&nbsp;of&nbsp;you, you&nbsp;were&nbsp;too&nbsp;heavy. I&nbsp;instead&nbsp;focused&nbsp;on&nbsp;the&nbsp;sky, on&nbsp;the&nbsp;part&nbsp;where&nbsp;it&nbsp;touched&nbsp;the&nbsp;earth. We&nbsp;lay&nbsp;for&nbsp;so&nbsp;long a&nbsp;depression&nbsp;had&nbsp;formed&nbsp;in&nbsp;my&nbsp;mattress&nbsp;box&nbsp;spring. and&nbsp;the&nbsp;side&nbsp;of&nbsp;your&nbsp;skull&nbsp;pushing&nbsp;into&nbsp;my&nbsp;sternum was&nbsp;no&nbsp;longer&nbsp;comforting As&nbsp;your&nbsp;temple&nbsp;would&nbsp;slice&nbsp;through&nbsp;my&nbsp;ribcage Your&nbsp;bones&nbsp;would&nbsp;pass&nbsp;through&nbsp;mine in&nbsp;a&nbsp;swift&nbsp;slow&nbsp;push beating&nbsp;me&nbsp;into&nbsp;the&nbsp;ground&nbsp; the&nbsp;dullness&nbsp;of&nbsp;the&nbsp;back&nbsp;of&nbsp;your&nbsp;skull made&nbsp;me&nbsp;think&nbsp;of&nbsp;stone&nbsp;tools and&nbsp;tent&nbsp;pegs then&nbsp;the&nbsp;rain&nbsp;came and&nbsp;stirred&nbsp;the&nbsp;soil filling&nbsp;in&nbsp;our&nbsp;pit Covering&nbsp;up&nbsp;my&nbsp;view of&nbsp;the&nbsp;sometimes&nbsp;red sometimes&nbsp;purple&nbsp;sky (I&nbsp;resent&nbsp;it&nbsp;for&nbsp;this) Silt&nbsp;settles&nbsp;at&nbsp;the&nbsp;corner&nbsp;of&nbsp;my&nbsp;eyelids the&nbsp;vitreous&nbsp;humour&nbsp;solidifies Fish&nbsp;kisses make&nbsp;up&nbsp;for&nbsp;your&nbsp;lack&nbsp;of&nbsp;affections I&nbsp;watch&nbsp;your&nbsp;skin&nbsp;start&nbsp;to&nbsp;prune As&nbsp;our&nbsp;bodies&nbsp;seep&nbsp;a&nbsp;grey&nbsp;halo into&nbsp;the&nbsp;water The&nbsp;water&nbsp;is&nbsp;still and&nbsp;your&nbsp;hands&nbsp;and&nbsp;arms&nbsp;started&nbsp;to&nbsp;fill&nbsp;the&nbsp;cavity where&nbsp;my&nbsp;lungs&nbsp;were spreading&nbsp;out&nbsp;your&nbsp;claws making&nbsp;yourself&nbsp;at&nbsp;home a&nbsp;morning&nbsp;stretch The&nbsp;sediment&nbsp;packed&nbsp;us&nbsp;in&nbsp;tighter Pushing&nbsp;us&nbsp;underground Wringing&nbsp;out&nbsp;our&nbsp;waterlogged&nbsp;bodies Watching&nbsp;the&nbsp;black&nbsp;drips&nbsp;pass from&nbsp;your&nbsp;lip&nbsp;to&nbsp;the&nbsp;hole&nbsp;in&nbsp;my&nbsp;neck Regurgitating&nbsp;it's&nbsp;slickness coating&nbsp;my&nbsp;insides my&nbsp;bones&nbsp;are&nbsp;made&nbsp;of&nbsp;soft&nbsp;chewy&nbsp;things melted&nbsp;toffee maoam&nbsp;bars glue stringy&nbsp;and&nbsp;impossible I&nbsp;am&nbsp;easily&nbsp;pushed your&nbsp;persitance&nbsp;rearranges&nbsp;my&nbsp;atoms I&nbsp;would&nbsp;appreciate&nbsp;it&nbsp;if&nbsp;you&nbsp;stopped down&nbsp;this&nbsp;far&nbsp;I&nbsp;can&nbsp;hear&nbsp;the&nbsp;earths&nbsp;hum And&nbsp;feel&nbsp;it&nbsp;rounding&nbsp;the&nbsp;corner at&nbsp;the&nbsp;edge&nbsp;of&nbsp;the&nbsp;crust when&nbsp;time&nbsp;stretches&nbsp;out And&nbsp;splays&nbsp;its&nbsp;fingers I&nbsp;could&nbsp;do&nbsp;the&nbsp;same https://rachelcharismurphy.cargo.site/cv Wed, 12 Aug 2020 20:49:19 +0000 Rachel Enright Murphy https://rachelcharismurphy.cargo.site/cv CV Education - (2018 - 2022) - National College of Art and Design: (BA Intl) Fine Art Media with Critical Cultures (1st). (2021) - Universität der Künste, Berlin: Klasse Hito Steyerl (erasmus) Solo Exhibitions 2025 Clerical Error, Ormond Project Space Selected group exhibitions 2024 AntiRust - Ormond artist studios2024 Open Space, SIM Residency Korpúlfsstaðir (open studio) 2023 Mouthsounds - Fly Floor, The Complex Gallery and Studios, Dublin (performance) 2023 DET, PilotenKeuche Artist Studios - Leipzig2023 AMB, Kunstverein Ars Avanti, Leipzig 2022 V Shape, M Shape - NCAD Graduate show, Dublin 2022 Caesura - Unit 44, Dublin (performance) 2021 I Love The Things I Kill The Most - Dzialdov Gallery, Berlin 2021 PROTO - NCAD, Dublin 2021 I Sleep Like A Girl - Brunnenstraße 42, Berlin&nbsp; (performance) 2020 Chairborne (Digital Exhibition) 2020 Don’t Touch The Work (Digital Exhibition) 2019 Digital skin&nbsp; - IMMA Stables, Dublin Awards and Funding 2025 Arts Council Visual Arts Bursary (Round 2) 2025 Temple Bar Gallery + Studios Recent Graduate Award 2025 Pan Pan 12th International Mentorship with Caden Manson 2024 Arts Council Agility Award 2024 Dun laoghaire Rathdown Emerging Artist Bursary 2023 Ormond Artist Studio’s Membership&nbsp; 2023 Dun Laoghaire Rathdown General Artist Grant &nbsp; Residencies 2024 SIM residency programme, Reykjavik 2023 Screen Service, digital residency 2023 PilotenKeuche international residency programme, Leipzig Screenings 2025 The Heckler - A River In Between, Studio 6 Temple Bar Gallery and Studios 2025 FaceCake - Fanvid x AEMI Press and Talks&nbsp; 2025 Pan Pan International Mentorship Symposium, Dublin Theatre Festival 20252025 A River In Between, Ormond Talk Series,Studio 6 Temple Bar Gallery and Studios 2023 Culture night open forum,&nbsp; Douglas Hyde Gallery2022 Rundgang.io&nbsp; (V Shape, M Shape) 2022 Irish Arts Review&nbsp; (V Shape, M Shape) 2022 DATA 20: DATA now panel - NCAD Gallery - Dublin 2022 Biosphere - NCAD Degree Show, NCAD Dublin Publications&nbsp; 2024 Mosaic - Douglas Hyde Student Forum publication&nbsp;2023 Caesura - Dublin Art book Fair -&nbsp; Temple Bar Gallery and Studios 2023 And Time Is Good To Soft - Dublin Art book Fair -&nbsp; Temple Bar Gallery and Studios &nbsp; 2023 Screen Service digital residency &nbsp; 2021 Emerge Magazine - Issue #2 RatParkProgramming and Professional development 2023-25 Ormond Artist Studio’s Membership, Dublin2023-25 Producer for Fanvid, Dublin2023-24 Douglas Hyde Student forum V, Dublin2022-23 Clancy Quay Artists Professional Development Programme, Dublin https://rachelcharismurphy.cargo.site/about Mon, 18 Dec 2023 18:18:26 +0000 Rachel Enright Murphy https://rachelcharismurphy.cargo.site/about Bio Rachel Enright Murphy is an artist from Dublin, Ireland. She makes text-based artworks using video, sound, performance and printed material. Her work creates semantic or phonetic experiments that act as intimate misreadings of legal agreements, documented events and scientific papers. She often collaborates with others through theatrical scripting and production practices to explore autonomy, spectatorship and sexual subjectivity. Rachel is a Residential Awardee of Firestation artist Studios (2026/27) and the Graduate Resident for Temple Bar Gallery + Studios (2025/26). Previous exhibitions, residencies and performances include: Clerical Error in Ormond Studios (2025), SIM Reykjavik (2024), and Fly Floor in The Complex Gallery (2023). She holds a BA in Fine Art Media from the National College of Art and Design and her practice is supported by the Arts Council of Ireland.&nbsp; . https://rachelcharismurphy.cargo.site/contact Mon, 16 Jan 2023 18:14:56 +0000 Rachel Enright Murphy https://rachelcharismurphy.cargo.site/contact CONTACT rachelcharismurphy[at]gmail.com Instagram ▓ ⚖ ✁